Ever since I first read Henrik Ibsen’s play A Doll’s House, I’ve been fascinated by the character Nora Helmer. There’s something so real and immediate about her, it’s uncanny. She’s beautiful, warm-hearted and charming, but also manipulative and vain. She appears flighty and dithering, then in the next moment she’s secretly solving family problems. She’s so complex, so layered, it’s as if Ibsen knew someone like Nora and was trying to pin her to the page. In fact, he did know someone like Nora – a charming and dynamic young Norwegian named Laura Petersen. He met her eight years before… 

In my novel Searching for Nora: After the Doll’s House, my heroine Nora Helmer ends up spending a winter on the harsh Minnesota prairie helping care for a family of Norwegian immigrants. They settle on a very poor farm, and struggle to gather hay and make improvements before the snow comes. By Christmas, the family is facing its first holiday without their mother, who died just as they started their immigration journey in the spring. There are few stores nearby and even fewer people. It’s a long way from Nora’s former cozy apartment in Kristiania with a Christmas tree lit… 

The actress Jane Fonda recently commented in an interview in the New York Times that she would like to play Nora, the famous heroine from Henrik Ibsen’s play A Doll’s House. Nora, of course, is also the heroine of my novel, Searching for Nora: After the Doll’s House. When friends saw Fonda’s comment, several of them fired off emails: “Send Fonda your book! She wants to play Nora!” In the New York Times piece, Fonda admitted she had played Nora once before, in a 1973 film directed by Joseph Losey. But, as she told the Times, “I didn’t dig deep… 

Whenever I give a book talk about my novel Searching for Nora: After the Doll’s House, eventually every group gets to the important question: Are you working on your next book? If so, when will it be out? Some people ask if I’m writing a sequel to Searching for Nora, and – if so – can I share some tantalizing hints about what happens to Solvi and Rikka and Ivar and Bobby? Surely they find each other in America, they say, looking at me hopefully, as if this suggestion might prime my creative pumps. Others ask if I’m working on… 

The hardest thing about writing a book is marketing it, particularly in this day and age. Compared to the quiet and intense focus of the writing process, marketing takes chutzpah, salesmanship and an entrepreneurial spirit. It’s about cold-calling prospective groups, arranging appearances, and handing out chocolates (and smiles) at Barnes and Noble in hopes that a few people might stop for a look. Not easy in the best of circumstances. But marketing a book during a pandemic? Please. Some people say the shut-down has given them more time to read, yet others report feeling too distracted to relax with a…