The actress Jane Fonda recently commented in an interview in the New York Times that she would like to play Nora, the famous heroine from Henrik Ibsen’s play A Doll’s House. Nora, of course, is also the heroine of my novel, Searching for Nora: After the Doll’s House. When friends saw Fonda’s comment, several of them fired off emails: “Send Fonda your book! She wants to play Nora!” In the New York Times piece, Fonda admitted she had played Nora once before, in a 1973 film directed by Joseph Losey. But, as she told the Times, “I didn’t dig deep… 

I had the privilege recently of talking with a group of British high school students who were studying Henrik Ibsen’s play A Doll’s House. Their teacher, a wonderfully literate young man, invited me to speak because he thought my book Searching for Nora: After the Doll’s House could help his students better understand the historical and literary context of Ibsen’s play, something they would need to write about during their upcoming A-level exams. As an English-teacher-wannabe, I loved this idea. The teacher sent me a list of essay questions and suggested I pick several to discuss. I wasn’t sure I… 

Whenever I give a book talk about my novel Searching for Nora: After the Doll’s House, eventually every group gets to the important question: Are you working on your next book? If so, when will it be out? Some people ask if I’m writing a sequel to Searching for Nora, and – if so – can I share some tantalizing hints about what happens to Solvi and Rikka and Ivar and Bobby? Surely they find each other in America, they say, looking at me hopefully, as if this suggestion might prime my creative pumps. Others ask if I’m working on… 

When Nora Helmer – the heroine of Henrik Ibsen’s play A Doll’s House – walks out on her difficult husband, most modern audiences respond with applause. The moment feels like a leap of liberation, the first step toward a better life. But it turns out that the audiences of Ibsen’s day would have responded quite differently. As  I was working on Searching for Nora, my sequel to A Doll’s House, I did months of research on Norway in the 1880’s so that I could keep the book rooted in Ibsen’s world. And what a different world it was, particularly for… 

The hardest thing about writing a book is marketing it, particularly in this day and age. Compared to the quiet and intense focus of the writing process, marketing takes chutzpah, salesmanship and an entrepreneurial spirit. It’s about cold-calling prospective groups, arranging appearances, and handing out chocolates (and smiles) at Barnes and Noble in hopes that a few people might stop for a look. Not easy in the best of circumstances. But marketing a book during a pandemic? Please. Some people say the shut-down has given them more time to read, yet others report feeling too distracted to relax with a…